By Charles D. Presberg
Cervantes’s Don Quixote confronts us with a chain of enigmas that, over the centuries, have divided even its so much specialist readers: Does the textual content pursue a significant or comedian goal? Does it advertise the reality of background and the untruth of fiction, or the reality of poetry and the fictiveness of fact itself? In a booklet that may revise the way in which we learn and debate Don Quixote, Charles D. Presberg discusses the trope of paradox as a governing rhetorical process during this so much canonical of Spanish literary texts.
To situate Cervantes’s masterpiece in the centuries-long praxis of paradoxical discourse within the West, Presberg surveys its culture in Classical Antiquity, the center a while, and the eu Renaissance. He outlines the advance of paradoxy within the Spanish Renaissance, centering on works via Fernando de Rojas, Pero Mexía, and Antonio de Guevara. In his particular studying of parts of Don Quixote, Presberg indicates how Cervantes’s paintings enlarges the culture of paradoxical discourse through imitating in addition to remodeling fictional and nonfictional versions. He concludes that Cervantes’s seriocomic "system" of paradoxy together parodies, celebrates, and urges us to give some thought to the organisation of discourse within the persisted refashioning of data, background, tradition, and private identity.
This enticing e-book can be welcomed by way of literary students, Hispanisists, historians, and scholars of the heritage of rhetoric and poetics.
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Extra resources for Adventures in Paradox: Don Quixote and the Western Tradition (Studies in Romance Literatures)
Adventures in Paradox: Don Quixote and the Western Tradition (Studies in Romance Literatures) by Charles D. Presberg