By Margarete Suppes
Thus, my challenge appeared transparent: listening towards Dylan’s albums of the Nineteen Sixties and checking either biographies in addition to similar literature on the way to locate connections among the 2 artist’s worlds. the trouble of analyzing Dylan’s songs or arranging the proof one understands approximately his lifestyles made the problem much more helpful. even though the assumption of discovering a connection among either personalities in his tune appeared ridiculously far-fetched throughout the first albums, i eventually hit pay airborne dirt and dust on "Blonde on Blonde". songs of the album characteristic ‘Edian’ features and rumors were helping this speculation for years.
As a consequence, this paintings goals on revealing those myths and discovering a potential fact among the artist Bob Dylan, specific songs of his album Blonde on Blonde, and Edie Sedgwick. first of all, the songs in query (“Leopard pores and skin tablet field Hat” and “Just Like a Woman”) will likely be analyzed nearer. After contemplating its musical and lyrical worth objectively, this paintings makes an attempt to depart room for a slightly goal interpretation. subsequent, the most a part of this paintings goes to painting the time of the song’s emergence, Bob Dylan’s existence again then, and in how a ways Edie Sedgwick’s lifestyles has intertwined with the artist’s global. With the aid of time witnesses, i'll ultimately try and separate rumors from proof and provides an summary of why i'm of the opinion that either songs were encouraged via Warhol’s “Superstar”.
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Additional info for Andy Warhol’s “Superstar” Edie Segdwick. The True Heroine of Bob Dylan’s "Blonde on Blonde"?
Andy Warhol’s “Superstar” Edie Segdwick. The True Heroine of Bob Dylan’s "Blonde on Blonde"? by Margarete Suppes